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Pearl (subtitled An X-traordinary Origin Story) is a 2022 psychological slasher film directed by Ti West, co-written by West and Mia Goth, who reprises her role as the title character, and featuring David Corenswet, Tandi Wright, Matthew Sunderland, and Emma Jenkins-Purro in supporting roles. It is a prequel to X (2022), and serves as an origin story for the titular villain, Pearl, whose fervent aspirations to become a movie star lead her to committing violent acts on her family’s Texas homestead in 1918.

Pearl 2022 Movie – Storyline :

Trapped on her family’s isolated farm, _Pearl_ (qv) must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, _Pearl_ (qv) finds her ambitions, temptations, and repressions all colliding in this origin story of X’s iconic villain.

Taglines: Before X, meet Pearl for the first time.

Review of Pearl (2022 Movie):

Many who liked “X” will probably find themselves disappointed with this prequel, as it never comes close to reaching the levels of shock and intensity that the former reached. Tandi Wright, who plays Pearl’s mother, was the intimacy coordinator on X (2022) and was offered the role of Ruth as the shoot on the first film was wrapping up. According to Ti West, she learned German for the role in a hurry and became so convincing in her accent that she fooled two German members of the crew.

This film would not work without Mia Goth’s performance, which is truly remarkable. Here, she portrays an outsider anti-hero that is steeped in nuance and conflicting character traits (and flaws). Her ennui and sadness is empathetically played, and one can sense that Goth herself, on some level, identifies with Pearl’s pain. She lends the role a potent mixture of naiveté, delicateness, and pure, murderous rage. While Pearl is all of these things, she is also none of them entirely, and thanks to Goth’s performance (and the screenplay, which she had a hand in co-crafting with West), the character emerges as multilayered and human despite her propensity for evil. Encircling Goth is a solid supporting cast who are all capable of meeting her intensity with varying degrees of bewilderment, disgust, and sheer terror.

“Pearl” does indeed edge into slasher territory in its third act, and the film as a whole is a visual feast–garishly colorful, and tipping its hat to a number of films. “The Wizard of Oz” is an obvious cornerstone, but there are visual and symbolic nods to “Repulsion” and, even more heavily, Frederick Friedel’s obscure farm-set “Axe”, another film that follows a mysterious (and murderous) young woman caring for her infirm grandfather on a rural farm. As with “X”, West uses these influences smartly without browbeating the audience or pushing the film’s content over the edge into pure pastiche, and the film downshifts in its denouement in a way that is unexpectedly touching, despite all the spilt blood and entrails.